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1) High-speed ink-jet printing to weigh down conventional plate-making industry
2) Transformation of printers from the second stage to the third
3) Number of matters to be considered before high-speed printing
4) Quality to be diversified in future ink-jet printing
5) Pre-processing is of importance in ink-jet printing with dye-based inks
6) Dye and pigment-based inks for ink-jets introduced at 7th OTEMAS
7) Hashimoto Senko's introduction of natural fiber transfer printing
8) Restriction of nonylphenol use in developed countries to cast positive effects on inkjet printing
9) Peer to peer (P2P) for better match between life colors and those on computer screen
10) Power map of machine manufacturers may alter with problems different from those of paper inkjets
11) TTC (Kyoto) widens research into conversion between light-source color and object color for fabrics linked with CCM calculations
12) Inkjet printing for textiles in the 2nd phase of development with higher speeds
13) European conference on ink jet printing for textiles
14) Toshin Kogyo to exhibit high-performance inkjet at ITMA in association with DuPont
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Special feature: Inkjet Printing
 
5) Pre-processing is of importance in ink-jet printing with dye-based inks
Kazuhiko Sasaki, president of Senshoku Keizai Shimbun
Faster production of inkjet printing is one of the important research themes yet to be resolved. The importance of pre-processing technologies is another one that must not be overlooked. Pre-processing holds much importance in the inkjet printing of textiles with dye-based inks.

Scores of inkjet printers for textiles were exhibited at the 7th OTEMAS,and with every one the importance of pre-processing was being stressed. Practical knowledge of pre-processing is crucial in order to bring about better printing results, before the nozzle produces a jet of ink over fabric. Pre-processing, here, is a technology to make printing pastes more adherent to fabric.

Seiren Co., Ltd., Japan, has a process for the adhesion of special paste onto fabric before printing with Viscotecs (the trade name for its inkjet system). The recipe for its preparation is kept confidential. It indicates that introducing a device for pre-processing does not necessarily lead you straight to easy inkjet printing with dye-based inks. Manufacturers of inkjet printers could impart pre-processing methods, however, they would only be generally available recipes. Distinctive color performances in inkjet printing could only be aimed for by hauling yourself up by your own bootstraps to create pre-processing methods.

Konica Corporation had synthetic stretch fabrics and light woven materials printed by inkjets on display at the 7th OTEMAS. A high degree of dye fixation to fabric is required for the inkjet printing of such materials. In other words, the correlation between the characteristics of dye-based inks and their fixation to the fabric is severely called into question. What efforts Konica has made to establish such a correlation, in persistently keeping a high level of intellectual exchange with printing engineers, can only be speculated.

Matsuo Nassen, a Japanese printer, had original prints demonstrated at the 7th OTEMAS, using Toshin Kogyo's inkjet printer with dye-based inks. The special feature was the felicitous expression in their unique designs, with a twist in the interrelation between their resolution and designs. A number of experimental expressions, created in a search for optimum expressions of design and resolution, was being displayed. And the designs, in their recondite tastes, were depicting the importance of pre-processing all the same.


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